Documents for download

• ‘Q&A with Harpsichord Maker Carey Beebe’

      from Australian National Academy of Music blog, 15/7/2021

• ‘The Oxley Piano’

      from Unlocked, Winter 2019

        This article by Carey Beebe on the 1842 Broadwood square piano
        appeared in the members’ magazine of Sydney Living Museums,
        and is reproduced here with permission.

• ‘Our Goldberg Variations Harpsichord’

     from Australian Chamber Orchestra blog, 2018

• ‘Keyboard Musing or Tuning on the Fly’

     from Carmel Bach Festival Program Book, 2009, pp34,35

• ‘Sails pitch — Venture behind the scenes at the iconic Sydney Opera House’

     from QANTAS The Australian Way, August 2007, p53

• Color my Flemish Harpsichord

• Color my French Harpsichord

• Beebe, C 2008, ‘An Australian soundboard’ from Journal of the Australian Association of Musical Instrument Makers, Vol XXVII No 1 January 2008, pp23–26
• Beebe, C 2007, ‘The Harpsichord and Clavichord: an encyclopedia’, Kipnis, Igor [ed]. Reviewed in Journal of the Australian Association of Musical Instrument Makers, Vol XXVI No 3 September 2007, pp25–28
• Beebe, C 1992, ‘A handbook of historical stringing practice for keyboard instruments 1671–1856’, Rose, Malcolm and Law, David [compiled & edited]. Reviewed in: Journal of the Australian Association of Musical Instrument Makers, Vol XI No 2 June 1992 , pp8,9
• Beebe, C 1988, ‘More Museum Madness…’ from Journal of the Australian Association of Musical Instrument Makers, Vol VII No 1 March 1988, pp8–11
• Beebe, C 1986, ‘Photographing Harpsichords in Museums’ from Journal of the Australian Association of Musical Instrument Makers, Vol V No 1 February 1986, pp36–41
• Beebe, C 1985, ‘The New Grove Dictionary of Musical Instruments’, Sadie, Stanley [ed]. Reviewed in Journal of the Australian Association of Musical Instrument Makers, Vol IV No 3 August 1985, pp38,39

• Fletcher, NH & Beebe, C 2010, ‘Harpsichord and Clavichord’ in Thomas D Rossing [ed], The Science of String Instruments, Springer, New York, pp123–143

• Pinchgut Opera Erin Helyard Goldberg Variations, March 2025

• Pymble Ladies’ College Harpsichord Celebration Concert Program,1 June 2013

• 1786 Jacob & Abraham Kirckman

• 2022 Ruckers Double, private commision, Brisbane QLD

• 1799 John Broadwood & Son square pianoforte

• 2020 Ruckers Double, School of Music, ANU Canberra

• 1775 Jacob & Abraham Kirckman

• 1842 John Broadwood & Sons square pianoforte

• 1796 John Broadwood and Son square pianoforte

• 2015 Gerlach clavichord

• 2014 Ruckers Double, Scotch College, Melbourne

• 1773 Jacob & Abraham Kirckman

• 2012 Ruckers Double, Pymble Ladies’ College, Sydney

• 2011 Italian Virginal

• 2011 Ruckers Double, Royal Opera House, Muscat, Sultanate of Oman

• 2010 Ruckers Double, Yong Siew Toh Conservatory of Music, Singapore

• 2009 Blanchet French Double, Qasr Al Alam Royal Palace, Muscat, Sultanate of Oman

• 2000 Ruckers Single

• Issue #1, October 1982
• Issue #2, March 1983
• Issue #3, August 1983
• Issue #4, March 1984
• Issue #5, August 1984
• Issue #6, January 1985
• Issue #7, March 1985
• Issue #8, October 1985
• Issue #9, March 1986
• Issue #10, August 1986
• Issue #11, February 1987
• Special issue for owners February 1987
• Issue #12, March 1988
• Issue #13, October 1988
• Issue #14, March 1989
• Issue #15, September 1989
• Issue #16, February 1990
• Issue #17, Spring 1990
• Issue #18, Autumn 1991
• Issue #19, Spring 1991
• Issue #20, Autumn 1992
• Issue #21, Spring 1992
• Issue #22, Autumn 1993
• Issue #23, Spring 1993
• Issue #24, Autumn 1994
• Issue #25, Spring 1994
• Issue #26, Autumn 1995
• Issue #27, Spring 1995
• Issue #28, Autumn 1996
• Issue #29, Spring 1996
• Issue #30, Autumn 1997
• Issue #31, Spring 1997

• Gerlach Clavichord
• Delin Spinet
• Virginal
• French Single
• Neapolitan
• Ruckers Single
• Ruckers Double
• Hemsch