Early Keyboard BibliographyCopyright © 1998–2022 CBH † denotes highly recommended titles |
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AUTHOR | TITLE | PUBLICATION DETAILS | ISBN |
Apel, Willi | The History of Keyboard Music to 1700 | Indiana University Press 1972 | 0 253 32795 4 |
Arnold, F T | The Art of Accompaniment from a Thorough-bass as practised in the XVIIth & XVIII Centuries | Dover 1965 (2 vols) | 0 486 21442 7 0 486 21443 5 |
Bach, CPE [Mitchell, William J (trans & ed)] |
† Essay on the True Art of Keyboard Instruments | Eulenberg Books London 1974 | 0 903873 01 X |
Beghin, Tom | The Virtual Haydn: Paradox of a Twenty-First-Century Keyboardist | University of Chicago Press 2015 | 978 0 226 15677 4 |
Booth, Colin | Did Bach really mean that? Deceptive notation in Baroque keyboard music | Mark Argent & Soundboard 2010 | 978 0 9547488 1 4 |
Breitman, David | Piano-Playing Revisited: What Modern Players Can Learn from Period Instruments | Boydell & Brewer Ltd 2021 | 978 1 64825 010 1 |
Brown, Howard Mayer | Embellishing 16th-century Music | Oxford 1984 | 0 19 323175 1 |
Brown, Howard Mayer | Music in the Rennaissance | Prentice-Hall 1976 | 0 13 608497 4 |
Bukofzer, Manfred F | Music in the Baroque Era | J M Dent & Sons Ltd 1977 | - |
Butt, John | Playing with History — The Historical Approach to Musical Performance | Cambridge University Press 2005 | 0 521 01358 5 |
Caldwell, John | Editing Early Music | Oxford 1985 | 0 19 816142 5 |
Caldwell, John | English Keyboard Music Before the Nineteenth Century | Dover 1985 | 0 486 24851 8 |
Peres Da Costa, Neal | Off the Record — Performing Practices in Romantic Piano Playing | Oxford University Press NY 2012 | 978 0195386912 |
Dart, Thurston | The Interpretation of Music | Hutchinson of London 1978 | 0 09 031684 3 |
Dolmetsch, Arnold | The Interpretation of the Music of the Seventeenth and Eighteenth Centuries | University of Washington Press 1977 | 0 295 78578 0 |
Donahue, Thomas [ed] | Essays in Honor of Christopher Hogwood: The Maestro’s Direction | Scarecrow Press 2011 | 978 0 8108 7737 5 |
Donnington, Robert | † The Interpretation of Early Music | Faber & Faber 1979 | 0 571 04789 0 |
Donnington, Robert | Baroque Music: Style and Performance | Norton 1982 | 0 393 30052 8 |
Drake, Kenneth | The Sonatas of Beethoven As He Played and Taught Them | Indiana University Press 1981 | 0253 20262 0 |
Emery, Walter | Bach’s Ornaments | Novello 1975 | - |
Ferguson, Howard | † Keyboard Interpretation from the 14th to the 19th century | Oxford University Press 1979 | 0 19 318419 2 |
Friskin, James & Freundlich, Irwin | Music for the Piano | Dover 1973 | 0 486 22918 1 |
Gillespie, John | Five Centuries of Keyboard Music | Dover 1972 | 0 486 22855 X |
Glyn, Margaret H | About Elizabethan Virginal Music and its Composers | William Reeves, London | - |
Harich-Schneider, Eta | Die Kunst des Cembalo-spiels | Bärenreiter 1958 DEUTSCH |
- |
Harich-Schneider, Eta | The Harpsichord — an introduction to the technique style and the historical sources | Bärenreiter 1973 | 3 7618 0066 5 |
Harnoncourt, Nikolaus [O’Neill Mary (trans)] |
The Musical Dialogue — Thoughts on Monteverdi, Bach and Mozart | Christopher Helm 1989 | 0 7470 1415 9 |
Harnoncourt, Nikolaus [O’Neill, Mary (trans)] |
Baroque Music Today: Music as Speech | Christopher Helm 1988 | 0 7470 1411 6 |
Haynes, Bruce | The End of Early Music — A period performer’s history of music for the twenty-first century | Oxford University Press NY 2007 | 978 0 19 518987 2 |
Kosovske, Yonit Lea | Historical Harpsichord Technique — Developing La douceur du toucher | Indiana University Press 2011 | 978 0 253 35647 5 |
Saint Lambert [Harris-Warrick, Rebecca (trans & ed)] |
Principles of the Harpsichord by Monsieur de Saint Lambert | Cambridge 1984 | 0 521 27269 6 |
Keller, Hermann [Gerdine, Leigh (trans)] |
Phrasing and Articulation — A Contribution to the Rhetoric of Music | Norton 1973 | 0 393 00681 6 |
Keller, Hermann [Parrish, Carl (trans & ed)] |
Thoroughbass Method | Norton 1965 | 0 393 09744 7 |
Kelly, Thomas Forrest | Early Music — A Very Short Introduction | Oxford University Press 2011 | 978 0 19 973076 6 |
Kenyon, Max | Harpsichord Music — A Survey of the Virginals, Spinet and Harpsichord | Cassell & Company Ltd 1949 | - |
Kenyon, Nicholas [ed] | Authenticity and Early Music | Oxford 1989 | 0 19 816153 0 |
Komlós, Katalin | Fortepianos and their Music | Clarendon Press Oxford 1995 | 0 19 816426 2 |
Kroll, Mark | Playing the Harpsichord Expressively — a Practical and Historical Guide | Scarecrow Press, Inc 2004 | 0 8108 5032 X |
Ledbetter, David [commentary] | Continuo Playing According to Handel — His figured bass exercises | Oxford University Press 1990 | 978 0 19 318433 6 |
Ledbeter, David | Harpsichord and Lute Music in 17th-century France | MacMillan 1987 | 0 333 42755 6 |
Leppard, Raymond | Authenticity in Music | Faber Music 1988 | 0 571 10088 0 |
Mattax, Charlotte [trans] | Accompaniment on the Theorbo & Harpsichord — Denis Delair’s Treatise of 1690 | Indiana University Press 1991 | 0 253 28592 5 |
Matthews, Denis | Beethoven Piano Sonatas | BBC 1979 | 0 563 07304 7 |
Morley, Thomas [Harman, Alec (ed)] |
A Plain & Easy Introduction to Music | Norton 1973 | 0 393 00682 4 |
Mozart, Leopold [Knocker, Editha (trans)] |
A Treatise on the Fundamental Principles of Violin Playing | Oxford 1985 | 0 19 318 513 X |
Naylor, E W | An Elizabethan Virginal Book—Being a critical essay on the contents of a manuscript in the Fitzwilliam Museum at Cambridge | J M Dent & Co 1905 | - |
Nurmi, Ruth | A Plain and Easy Introduction to the Harpsichord | University of New Mexico Press 1974 | 0 8263 0324 2 |
Powell, John S [trans & ed] | A New Treatise on Accompaniment with the Harpsichord, the Organ, and with other instruments by Monsieur de Saint Lambert | Indiana University Press 1991 | 0 253 34561 8 |
Quantz, Johann Joachim [Reilly, Edward R (trans)] |
On Playing the Flute | Schirmer 1966 | - |
Ree Bernard, Nelly van | Interpretation of 16th Century Iberian Music on the Clavichord | Frits Knuf 1989 | 90 6027 608 6 |
Rosen, Charles | The Classical Style — Haydn, Mozart, Beethoven | Faber 1976 | 0 571 04905 2 |
Rosenblum, Sandra P | Performance Practices in Classic Piano Music | Indiana University Press 1988 | 0 253 20680 4 |
Rowland, David | Early Keyboard Instruments — A Practical Guide | Cambridge University Press 2001 | 0 521 64366 X |
Schott, Howard | † Playing the Harpsichord | Faber & Faber 1979 | 0 571 11375 3 |
Terry, Charles Sanford | The Music of Bach — An Introduction | Dover 1963 | 0 486 21075 8 |
Troeger, Richard | † Technique and Interpretation on the Harpsichord and Clavichord | Indiana University Press 1987 | 0 253 20408 9 |
Valenti, Fernando | The Harpsichord: A Dialogue for Beginners | Jerona Music Corporation 1982 | - |
Villanis, Luigi Alberto | L’Arte del Clavicembalo | Fratelli Bocca 1901 ITALIAN |
- |
Williams, Peter | Figured Bass Accompaniment | Edinburgh University Press 1982 (2 vols) | 0 85224 452 5 0 85224 452 5 |
Di, Zhu & Lindorff, Joyce Zankel | Baroque Keyboard Performance Practice • 巴洛克键盘音乐演奏传统 | Culture and Art Publishing House CHINESE |
978 7 5039 6901 0 |
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