Work in Progress

The Ruckers Double Harpsichord

2 x 8⁠´, 1 x 4⁠´, buff on back 8⁠´
Stop registers worked by levers through nameboard
Two 56+1-note reverse keyboards GG–d''' A392/A415/A440
Tapered pearwood jacks with holly tongues & natural Celcon plectra
Strung in Malcom Rose wire
Gilded rose
Soundboard painting by Diana Ford using Australian motifs
in style of early I Ruckers
Handpainted Forest Green exterior & Colonial Green interior
Gilded mouldings
Flemish printed papers to keywell (Johannes),
& case rim (Little Mask)
Seven leg table stand in French oak
Oak music desk & lid sticks

CAREY BEEBE • MMX

Yong Siew Toh Conservatory of Music, Singapore

Yong Siew Toh Conservatory logo 6K jpeg

Download postcard.


		Screening the nameboard inscription Carey Beebe screening and gilding the nameboard inscription.
		Preparing the buff stop Carey Beebe preparing the harpsichord buff stop.
		Papering the case rim Carey Beebe papering of the case rim of a Flemish-style harpsichord.
		Oil gilding the mouldings Carey Beebe demonstrating oil gilding of the harpsichord case top mouldings.
		An Australian soundboard The second harpsichord soundboard painting by Diana Ford using Australian native flowers and fruits in the style of early Ioannes Ruckers c1620.


Lid hinges prepared	The hinged lid, soon to be dismantled for painting

Ruckers Double case and lid with first coat of paint 45K jpeg

Case and lid with the first coat of exterior color


Gilding the mouldings	Papering the case rim


The stringing and pinning complete	Buff stop (detail)


The stand legs, after hand-rubbed varnishing	Completed seven leg table stand in French oak

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