2014 Carmel Bach Festival Early Keyboard Gallery
Copyright © 2014 CBH
2014 Carmel Bach Festival Early Keyboard GalleryCopyright © 2014 CBH |
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| INSTRUMENT | The 17th-century French Double Harpsichord after Vaudry | The Flemish Double Harpsichord after 1624 “Colmar” Ruckers | The Italian Harpsichord after Grimaldi | The Flemish Double Harpsichord after 1638 Ruckers | The French Double Harpsichord after Blanchet 1733 |
The Continuo Organ |
The Continuo Organ |
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| PICTURE |
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| DISPOSITION | 2 x 8´, 1 x 4´, buff on back 8´ Stop registers worked by levers through nameboard |
2 x 8´, 1 x 4´, buff on back 8´ 4´ register worked by lever on wrestplank |
2 x 8´, no buff Both registers movable by stop levers on wrestplank |
2 x 8´, 1 x 4´, buff on back 8´ Stop registers worked by levers on wrestplank |
2 x 8´, 1 x 4´, no buff Stop registers worked by levers through nameboard |
8´, 4´, 2´, 11/3´ Divided stop registers (Quint to treble only) |
8´, 4´, 2´, 22/3´ Divided stop registers (Quint to treble only) |
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| RANGE | Two 55-note reverse keyboards with trefoiled naturals & solid bone sharps GG,AA–d''' |
Two 55-note reverse keyboards with bone-slipped sharps GG,AA–d''' |
One 56+1-note boxwood & cherry keyboard with skunktail sharps GG–d''' |
Two 58-note reverse keyboards with bone-slipped sharps GG–e''' |
Two 61+1-note reverse keyboards with bone-slipped sharps FF–f''' |
One 54-note reverse keyboard with cherry sharps C–f''' |
One 54+1-note reverse keyboard with snakewood sharps C–f''' |
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| TRANSPOSITION | A415/A440 | A415/A440 | A415/A440 | A415/A440 | A392/A415/A440 | A415/A440/A466 | A415/A440 | ||||||||||||||
| STRINGING | Strung in US Red & Yellow Brass, and Soft Iron wire | Strung in Malcolm Rose Red & Yellow Brass, and Soft Iron wire | Strung in US Yellow Brass wire | Strung in Malcolm Rose Red & Yellow Brass, and Soft Iron wire | Strung in US Red Brass, Malcolm Rose Red & Yellow Brass, and Soft Iron wire | All wooden pipes | All wooden pipes | ||||||||||||||
| ACTION | Tapered wooden jacks with Canada goose quill plectra, leathered registers | Tapered wooden jacks with Canada goose quill plectra, black Celcon for 4´, leathered registers | Traditional beech jacks with black celcon plectra | Tapered wooden jacks with Canada goose quill plectra, black Celcon for 4´, leathered registers | Tapered wooden jacks with Canada goose quill plectra, leathered registers | Mechanical | Mechanical | ||||||||||||||
| CONSTRUCTION | Dovetailed solid walnut case, Swiss pine soundboard, walnut bridges & rails | Lime case, lid & bottom, Italian alpine spruce soundboard, pearwood bridges & rails | False inner-outer construction with cypress inner case and limewood
exterior case, Swiss pine soundboard, walnut bridge, nut & wrestplank veneer |
Basswood case, lid & bottom, Engelmann spruce soundboard, pearwood 8´ bridge, beech 4´ bridge | Basswood case, lid & bottom, Norway spruce soundboard, cherry bridge, beech rails | European cherry case Self-contained 110V blower |
European cherry case Self-contained 110V blower |
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| DECORATION | Soundboard painting in appropriate style Parchment rose Cast brass lid flap hinges |
Distressed soundboard painting in appropriate style Gilded rose Distressed handpainted grey case, bright mouldings, Ruckers-style brass hinges Distressed hand-printed Flemish papers to keywell and case rim Lid painting by Millicent Tomkins |
Hand-rubbed painted finish, Florentine decoration by Adrian Card Ornamental iron lid flap hinges |
Soundboard painting in appropriate style Gilded rose Handpainted black exterior, red lid interior, gilded mouldings, Ruckers-style brass hinges Flemish papers to keywell and case rim
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Decoration by Janine Johnson: Soundboard painting Gilded rose Chinoiserie on deep purple ground Oil gilt mouldings and case bands |
Pierced panels to sides & back | Pierced panels to sides & back | ||||||||||||||
| STAND & ACCESSORIES | Turned trestle stand in walnut Matching music desk & lid stick |
Turned trestle travel stand in ebonized mahogany Cherry music desk & lid stick |
Painted turned beech stand & lid stick Walnut music desk |
Turned trestle stand in cherry Matching music desk & lid stick |
Seven leg Louis-XV cabriole leg stand Turned trestle travel stand in walnut Matching walnut music desk |
Instrument rests directly on floor | Instrument rests directly on floor | ||||||||||||||
| SIGNATURE | KEVIN FRYER • SAN FRANCISCO • 1992 | [unsigned — KEVIN FRYER 2003] |
KEVIN FRYER • SAN FRANCISCO • 1988 | KEVIN FRYER • SAN FRANCISCO • 1997 | JOHN PHILLIPS • BERKELEY • 1999 | GC KLOP GARDEREN |
[unsigned — GC KLOP GARDEREN] |
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| PROVENANCE | Private ownership, Oakland CA |
Kevin Fryer Harpsichords | Private ownership, San Francisco |
Kevin Fryer Harpsichords | Private ownership, Oakland CA |
San Francisco Bach Choir | UC Berkeley | ||||||||||||||
| CONCERT USE Subject to change |
Private practice use & overflow | Thursday Twilights, Best of the Fest | Tuesday, Wednesday & Friday concerts; July 23 Twilight: Best of the Fest | Saturday, Monday, Tuesday, Thursday & Friday concerts; VBA Showcase | Monday & Thursday recitals; July 22 foyer | Saturday, Sunday, Monday & Tuesday concerts; Best of the Fest | Wednesday & Sunday concerts; VBA Showcase | ||||||||||||||
| All the early keyboard instruments are procured and delivered by Kevin Fryer Harpsichords. All early keyboards prepared throughout the Carmel season by Carey Beebe. | |||||||||||||||||||||
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