2006 Carmel Bach Festival Early Keyboard Gallery
Copyright © 2010 CBH
2006 Carmel Bach Festival Early Keyboard GalleryCopyright © 2010 CBH |
|
| INSTRUMENT | The Italian Harpsichord after Grimaldi | The 17th-century French Double Harpsichord after Vaudry | The Flemish Double Harpsichord after 1638 Ruckers | The French Double Harpsichord after Hemsch | The Fortepiano after Stein | The Continuo Organ |
The Continuo Organ |
|||||||
| PICTURE |
|
|
|
|
|
|
|
|||||||
| DISPOSITION | 2 x 8´, no buff Both registers movable by stop levers on wrestplank |
2 x 8´, 1 x 4´, buff on back 8´ Stop registers worked by levers through nameboard |
2 x 8´, 1 x 4´, buff on back 8´ Stop registers worked by levers on wrestplank |
2 x 8´, 1 x 4´, buff on back 8´ Stop registers and buff worked by levers through nameboard |
Double strung throughout | 8´, 4´, 2´, 11/3´ Divided stop registers (Quint to treble only) |
8´, 4´, 2´, 11/3´ Divided stop registers (Quint to treble only) |
|||||||
| RANGE | One 56+1-note boxwood & cherry keyboard with skunktail sharps GG–d''' |
Two 55-note reverse keyboards with trefoiled naturals & solid bone sharps GG,AA–d''' |
Two 58-note reverse keyboards with bone-slipped sharps GG–e''' |
Two 61-note reverse keyboards with bone-slipped sharps FF–f''' |
One 62-note reverse keyboard with ivory-slipped sharps FF–f#''' |
One 54-note reverse keyboard with snakewood sharps C–f''' |
One 54-note reverse keyboard with cherry sharps C–f''' |
|||||||
| TRANSPOSITION | A415/A440 | A415/A440 | A415/A440 | A415/A440 | A430 A440 capable |
A415/A440 | A415/A440/A466 | |||||||
| STRINGING | Strung in US Yellow Brass wire | Strung in US Red & Yellow Brass, and Soft Iron wire | Strung in Malcolm Rose Red & Yellow Brass, and Soft Iron wire | Strung in Malcolm Rose Red & Yellow Brass, and Soft Iron wire | Strung in US Yellow Brass, and Malcolm Rose Soft Iron wire | All wooden pipes | All wooden pipes | |||||||
| ACTION | Traditional beech jacks with black celcon | Tapered wooden jacks with black celcon plectra, leathered registers | Tapered wooden jacks with black celcon plectra, leathered registers | Tapered wooden jacks with black celcon plectra, leathered registers | Hubbard Viennese action rebuilt by Janine Johnson Knee-operated dampers, Moderator with knob piercing nameboard |
Mechanical | Mechanical | |||||||
| CONSTRUCTION | False inner-outer construction with cypress inner case and limewood
exterior case, Swiss pine soundboard, walnut bridge, nut & wrestplank veneer |
Dovetailed solid walnut case, Swiss pine soundboard, walnut bridges and rails | Basswood case, lid & bottom, Engelmann spruce soundboard, pearwood 8´ bridge, beech 4´ bridge | Hard Canadian basswood case, lid & bottom, Swiss pine soundboard, pearwood bridges & rails | American cherry roundtail case, veneered lid, Sitka spruce soundboard | European oak case Self-contained 110V blower |
European cherry case Self-contained 110V blower |
|||||||
| DECORATION | Hand-rubbed painted finish, Florentine decoration by Adrian Card Ornamental iron lid flap hinges |
Soundboard painting in appropriate style Parchment rose Cast brass lid flap hinges |
Soundboard painting in appropriate style Gilded rose Handpainted black exterior, red lid interior, gilded mouldings, Ruckers-style brass hinges Flemish papers to keywell and case rim
|
Soundboard painting after Goermans/Taskin Handpainted green black exterior, vermilion interior Oil gilt mouldings and case bands Gilded rose |
Varnished case finish | Pierced panels to sides & back | Pierced panels to sides & back | |||||||
| STAND & ACCESSORIES | Painted turned beech stand & lid stick Walnut music desk |
Turned trestle stand in walnut Matching music desk & lid stick |
Turned trestle stand in cherry Matching music desk & lid stick |
Six leg Louis-XVI stand Turned trestle travel stand in cherry Painted music desk and lid stick |
Four turned and fluted legs | Instrument rests directly on floor | Instrument rests directly on floor | |||||||
| SIGNATURE | KEVIN FRYER • SAN FRANCISCO • 1988 | KEVIN FRYER • SAN FRANCISCO • 1992 | KEVIN FRYER • SAN FRANCISCO • 1997 | KEVIN FRYER • SAN FRANCISCO • 1987 | (unsigned) | GC KLOP GARDEREN |
GC KLOP GARDEREN |
|||||||
| PROVENANCE | Private ownership, San Francisco |
Private ownership, San Francisco |
Private ownership, San Francisco |
Private ownership, San Francisco |
Private ownership, San Francisco |
MusicSources | San Francisco Bach Choir | |||||||
| CONCERT USE | Monday concert, Thursday & Friday recitals, Thursday Candlelight 2, All Biber Candlelights | Private practice use and overflow only | Saturday, Monday, Tuesday, Thursday & Friday concerts; August 6 twilight | Monday & Wednesday recitals (except Wednesday in week 2), Thursday concert, Versailles twilight | Monday recital | Youth Chorus Mission Twilight, Wednesday recital, Wednesday Mission concert, All Biber Candlelights, Thursday Candlelight 3 | Monday, Thursday, Friday & Saturday concerts, Sunday Passion, San Francisco Mission program, VBA Showcase | |||||||
| All the early keyboard instruments are procured and delivered by Kevin Fryer Harpsichords and prepared throughout the Carmel season by Carey Beebe. | ||||||||||||||
 |
|
||||||||
 |
Carmel Bach Festival |
|
Site overview |
|
Harpsichords Australia Home Page |
