MAKER |
COUNTRY |
PAGE |
Klaus Ahrend |
Germany |
70 |
K G Ammer |
Germany |
74 |
Bannister Harpsichords |
USA |
81 |
John Brueggeman |
USA |
88 |
Walter Burr |
USA |
90 |
Herbert Burton |
USA |
91 |
John Challis |
USA |
94 |
William de Blaise |
UK |
104 |
Arnold Dolmetsch Ltd |
UK |
108 |
William Dowd |
USA |
113 |
Gerard Fonvieille * |
France |
119 |
Eric Herz Harpsichords |
USA |
129 |
Frank Hubbard |
USA |
130 |
Hunnel and Witcher * |
USA |
135 |
Jones-Clayton Harpsichords Ltd |
USA |
139 |
Joe T Marshall * |
Thailand |
144 |
Mars McMillan * |
Australia |
144 |
Eckehart Merzdorf |
Germany |
145 |
Shoji Momose |
Japan |
146 |
Robert
Morley & Co Ltd |
UK |
149 |
John Nargesian |
USA |
152 |
J C Neupert |
Germany |
153 |
The John Paul Company |
UK |
158 |
Société Pleyel,
SA |
France |
162 |
Gerhard Ranftl |
Germany |
166 |
Martin Sassmann |
Germany |
175 |
Martin
Scholz, Hug & Co * |
Switzerland |
176 |
Rudolf
Schüler |
Germany |
177 |
Rainer
Schütze * |
Germany |
178 |
Martin Skowroneck |
Germany |
184 |
Kurt Sperrhake |
Germany |
186 |
Kurt Wittmayer |
Germany |
196 |
Zuckermann Harpsichords Inc |
USA |
206 |
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The Modern Harpsichord by
Wolfgang Joachim Zuckermann (1922–2018) was published in 1969, and went through three
printings in a short time. Many people have asked us to try to assist them
in obtaining this book, but it is well out of print and now on the rare list,
good copies fetching prices over USD110.
The
book caused considerable controversy upon its release, and because of its
criticism of the modern German builders, it was banned outright in that
country. Of course, this helped ensure it made more sales in Germany than
anywhere else. Because of imminent legal action, Zuckermann had to leave
the United States. Prior to moving to England, he sold his company to the
late David Jacques Way, who as head of October House had actually published
the book, and written the “Appendix by a harpsichord kit builder”.
The central theme of The Modern Harpsichord—that
harpsichords should be made today as they were in the seventeenth and eighteenth
centuries—altered the course of modern harpsichord development. So
many things have changed in the last quarter of a century that merely reprinting
the book today would give a misleading impression of the scene. The book
would have to be completely rewritten, which Wolfgang will never do.
Displayed behind glass in the showroom of our
workshop in Sydney are the actual jacks collected by Wolfgang from makers
around the world. You can follow the links in the table to view the individual
jacks, or watch the movie below. With the exception of those makers whose
names are marked in the table with an asterix, all the jacks visitors can
see in our display were photographed for inclusion in his book, and occur
on the page numbers mentioned. All are a testimony to modern ingenuity.
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Wolfgang‘s Jacks
The jacks collected by Wolfgang Zuckermann from makers around
the world for his 1969 book The Modern Harpsichord. |
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